A Companion to Derrida (Blackwell Companions to Philosophy)

A spouse to Derrida is the main complete unmarried quantity reference paintings at the considered Jacques Derrida. top students current a precis of his most crucial accomplishments throughout a huge diversity of topics, and provide new checks of those achievements.

• the main accomplished unmarried quantity reference paintings at the considered Jacques Derrida, with contributions from hugely well-liked Derrida students
• certain specialize in 3 significant philosophical issues of metaphysics and epistemology; ethics, faith, and politics; and paintings and literature
• Introduces the reader to the positions Derrida took in a number of components of philosophy, in addition to clarifying how derrideans interpret them within the present
• Contributions current not just a precis of Derrida’s most vital accomplishments in terms of a variety of disciplines, but in addition a brand new review of those accomplishments
• bargains a better knowing of the way Derrida’s paintings has fared considering the fact that his demise.

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Extra resources for A Companion to Derrida (Blackwell Companions to Philosophy)

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Rodolphe Gasché in The Tain of the Mirror had already called terms such as “trace,” “différance,” and “supplement” “quasi-transcendental” (Gasché 1986, 274). Although Derrida’s specific contribution to the transcendental tradition is not completely clear, Maxime Doyon’s essay, “The Transcendental Claim of Deconstruction,” like that of Custer, explains how deconstruction relates to the transcendental foundationalism that characterizes the Continental tradition since Kant. Doyon argues that Derrida has never in fact left the terrain of transcendental investigation even though he exceeded it with an ultra-transcendental reflection.

By insisting on the fact that the unscathed is always already contaminated by tele-technology (here taking support from Heidegger), Derrida paves the way for a reflection on how indemnification and the holy cannot do without the mechanical and thereby uprooting repetition. Kas Saghafi considers the philosophical relationship, which starts in the 1970s, between Derrida and Jean-Luc Nancy. Saghafi focuses on religion, which is the topic of their last exchange. According to Saghafi, for Derrida, “religion” aims at keeping the living – the adherents of “religion” – safe, unscathed, and intact.

In “Art’s Work,” Andrew Benjamin considers the place, legacy, and limits of ekphrasis (the linguistic description of a visual artwork) for a deconstructive consideration of painting. Such a deconstruction might be a reconsideration that liberates the “object” from the hold of ekphrasis. If the substance of that “object” is always already actative, which makes a work of art art’s work, the deconstruction of painting attempts to understand art as mattering. Hence, Benjamin looks at the way Derrida relates to the works of Artaud (“Forcener le subjectile”) and Atlan (“De la couleur à la lettre”) with a particular focus on how Derrida questions the distinction between the subjective and the actative.

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